翻訳と辞書
Words near each other
・ Giovanni di Smeraldo
・ Giovanni di Stefano
・ Giovanni di Stefano (architect)
・ Giovanni Di Stefano (fraudster)
・ Giovanni di Stefano (sculptor)
・ Giovanni di Vico
・ Giovanni Diodati
・ Giovanni Do
・ Giovanni Dolfin
・ Giovanni Domenico Brugieri
・ Giovanni Domenico Campiglia
・ Giovanni Domenico Cappellino
・ Giovanni Domenico Cassini
・ Giovanni Domenico Cerrini
・ Giovanni Domenico Cignaroli
Giovanni Domenico da Nola
・ Giovanni Domenico de Cupis
・ Giovanni Domenico Ferracuti
・ Giovanni Domenico Ferretti
・ Giovanni Domenico Lombardi
・ Giovanni Domenico Mansi
・ Giovanni Domenico Maraldi
・ Giovanni Domenico Nardo
・ Giovanni Domenico Paladini
・ Giovanni Domenico Perotti
・ Giovanni Domenico Piastrini
・ Giovanni Domenico Santorini
・ Giovanni Domenico Tiepolo
・ Giovanni Domenico Valentino
・ Giovanni Domenico Zucchinetti


Dictionary Lists
翻訳と辞書 辞書検索 [ 開発暫定版 ]
スポンサード リンク

Giovanni Domenico da Nola : ウィキペディア英語版
Giovanni Domenico da Nola
Giovanni Domenico da Nola (also Nolla) (c. 1510-1520May 1592) was an Italian composer and poet of the Renaissance.
He was born in the town of Nola, Italy. He was a founding member of the ''Accademia dei Sereni'' in 1546-1547, where he knew Luigi Dentice and Marchese della Terza, who was a patron of Orlando di Lasso. Nola was appointed ''maestro di cappella'' at the SS Annunziata in Naples on 1 February 1563, a position he held up to his death 29 years later. He also taught singing to the women of the ''ospedali'' at the Annunziata and to seminary deacons.
Nola's first publication consisted of two books of ''Canzoni villanesche'' in 1541, which contained 31 ''villanescas'' and 11 ''mascheratas''. They were held in high esteem by Nola's contemporaries; arrangements of these works were made by Lasso, Hubert Waelrant, Adrian Willaert, Baldassare Donato, Perissone Cambio, and Antonio Scandello. Lyrically, the works are often humorous and draw on local dialects and sayings; musically, the works make skillful use of imitation and intentional parallel fifths.
Nola published a book of madrigals in 1545; of the 29 works in the book, 22 are settings of Petrarch, including one madrigal, six ''canzoni'' and fifteen sonnets. The works show a balance of imitative and homophonic textures, and make use of strategic accidentals to heighten musical tension. Nola often uses the ''note nere'' style common in his day. He later published a second book of madrigals for five voices; two further books of madrigals have been lost. Nola also contributed madrigals to anthologies, and some of his poems were published without music.
The entire corpus of Nola's surviving works was edited by L. Cammarota and published in 1973.
==Works==
;Sacred
*''Liber primus motectorum'' (Venice, 1549, 5 voices) - ''survives incomplete''
*''Cantiones vulgo motecta appellatae'' (Venice, 1575, 6 voices) - ''lost''
;Secular
*''Canzoni villanesche'' (Venice, 1541) - ''only surviving copy in a Polish library''
*''Madrigali'' (Venice, 1545, 4 voices)
*''Il secondo libro de madrigali'' (Rome, 1564, 5 voices) - ''survives incomplete''
*''Il primo libro delle villanelle alla napolitana'' (Venice, 1567, 3 and 4 voices)
*''Il quarto libro di madrigali'' (5 and 6 voices) - ''lost''
*5 ''napolitane'', three intabulated for lute
*15 madrigals published or copied elsewhere

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
ウィキペディアで「Giovanni Domenico da Nola」の詳細全文を読む



スポンサード リンク
翻訳と辞書 : 翻訳のためのインターネットリソース

Copyright(C) kotoba.ne.jp 1997-2016. All Rights Reserved.